“What do they say?” he demanded. “We have been meaning to call on you so often,” panted Mrs. Phillips. The room was crowded and the exertion of squeezing her way through had winded the poor lady. “We take so much interest in your articles. My husband—” she paused for a second, before venturing upon the word, and the aitch came out somewhat over-aspirated—“reads them most religiously. You must come and dine with us one evening.”!

“Perhaps you are right,” she admitted. “Perhaps that is why He made us male and female: to teach us to love.” She came to him and stood over him with her hands upon his shoulders.

Suddenly the vision of old Chelsea Church rose up before her with its little motherly old pew-opener. She had so often been meaning to go and see her again, but something had always interfered. She hunted through her drawers and found a comparatively sober-coloured shawl, and tucked it under her cloak. The service was just commencing when she reached the church. Mary Stopperton showed her into a seat and evidently remembered her. “I want to see you afterwards,” she whispered; and Mary Stopperton had smiled and nodded. The service, with its need for being continually upon the move, bored her; she was not in the mood for it. And the sermon, preached by a young curate who had not yet got over his Oxford drawl, was uninteresting. She had half hoped that the wheezy old clergyman, who had preached about Calvary on the evening she had first visited the church, would be there again. She wondered what had become of him, and if it were really a fact that she had known him when she was a child, or only her fancy. It was strange how vividly her memory of him seemed to pervade the little church. She had the feeling he was watching her from the shadows. She waited for Mary in the vestibule, and gave her the shawl, making her swear on the big key of the church door that she would wear it herself and not give it away. The little old pew-opener’s pink and white face flushed with delight as she took it, and the thin, work-worn hands fingered it admiringly. “But I may lend it?” she pleaded. “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.” She must think the whole thing over quietly.